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E. L. King
Jul 6, 2023
[Interview] CLOCK Editor Alexandra Amick on Telling Female Stories and Maternal Horror
Written and directed by Alexis Jacknow in her feature debut, the psychological maternal thriller Clock is uterine horror meets...
E. L. King
Dec 9, 2022
SHADOWS Review – A Dystopian Paradise and a Claustrophobic Nightmare
The beautiful overgrown dystopian paradise of a post-apocalyptic event sets director Carlo Lavagna’s second feature's bleak, unforgiving,...
Rebecca Payne
Dec 6, 2022
The Problem with a Conventional Reading of DRACULA’s Lucy Westenra
Rebecca Payne examines how our understanding of Bram Stoker’s Lucy Westenra may have more to do with misogynistic interpretation than who...
Tessa Kaur
Nov 18, 2022
THE MEDIUM Review – Bone-Chilling and Female-Led Thai Folk Horror
Tessa Kaur says The Medium is a chilling tale about the horror lurking in Southeast Asian folklore. To a Southeast Asian, The Medium is...
Sydney Bollinger
Oct 17, 2022
Don’t Break the Oath Review – A Horror Anthology with Unique Perspective and Thrilling Stories
Sydney Bollinger says reading Don't Break the Oath is a refreshing break from the "boys club" of horror as writers tackle serious issues,...
E. L. King
Jul 6, 2021
SAINT MAUD Review – Never Waste Your Pain
E.L. King calls Rose Glass' Saint Maud a portrait of mental illness and devout delusion leading to a terrifying confrontation of faith,...
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