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Justin Lockwood
Jun 26, 2022
[Tribeca Festival] NEXT EXIT Review - A Hauntingly Beautiful Exploration of Life and Death
Justin Lockwood says he was taken with Mali Elfman’s thoughtful debut feature film. Next Exit, the debut feature written and directed by...
Justin Lockwood
Jun 26, 2022
[Tribeca Festival] CALL ME CRAZY Review - A Showcase for Outstanding Genre Shorts
Justin Lockwood was blown away by some particularly compelling entries in the Call Me Crazy genre shorts program. I look forward to the...
Justin Lockwood
Jun 24, 2022
[Interview] A Conversation with GIRLS NIGHT IN Star Skylar Benton at Tribeca Festival
Justin Lockwood discusses the satirical horror short Girls Night In and Skylar Benton's first starring role. Tribeca Festival’s Call Me...
Justin Lockwood
Jun 21, 2022
[Tribeca Festival] FAMILY DINNER Review - Dieting Becomes a Grim Endurance Test
Justin Lockwood says Family Dinner maintains a grim tone, but it’s a fun and schlocky film. In his feature film debut, Family Dinner,...
Justin Lockwood
Jun 21, 2022
[Tribeca Festival] THE BLACK PHONE Review - An Emotionally Rewarding Supernatural Horror Experience
Justin Lockwood says The Black Phone delivers frightful scares, but its emotional heft makes it truly special. We’ve been clamoring for...
E. L. King
Jun 20, 2022
[Tribeca Festival] CRIMSON TIES Review - Another Slumber Party Massacre Rears Its Ugly Head
E. L. King says that Francesca Scorsese's Crimson Ties is somewhat derivative at first glance. [THIS REVIEW CONTAINS SPOILERS] Crimson...
Justin Lockwood
Jun 20, 2022
[Tribeca Festival] HUESERA Review - A Supernatural Journey to Self Discovery
Justin Lockwood says Huesera is a bracing study of a relatable and fully realized woman with impressive performances and emotional...
Justin Lockwood
Jun 17, 2022
[Tribeca Festival] A WOUNDED FAWN Review - Mythological Surrealism Unsatisfyingly Meets “Me Too”
Justin Lockwood says A Wounded Fawn is a disappointing commentary on abuse and toxic masculinity. The Shudder Original production, A...
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