EDITORIAL ESSAYS
ALL FEATURES
[Interview] A Conversation with GOOD MADAM Director Jenna Cato Bass and Co-Writer Babalwa Baartman
[Tribeca Festival] ATTACHMENT Review – A Love Story Steeped in Jewish Folklore
Shudder Original WHO INVITED THEM Acquired Following its Premiere at Overlook Film Festival
REVEALER Review – Grab Your Bible and Your G-String, the Apocalypse Unites Unlikely Bedfellows
Shudder Releases Trailer for Haunting South African Psychological Horror GOOD MADAM
[Tribeca Festival] A WOUNDED FAWN Review - Mythological Surrealism Unsatisfyingly Meets “Me Too”
MAD GOD Review - Exploring a Nightmarish Hellscape From the Mind of Stop-Motion Master Phil Tippett
TRAGEDY GIRLS Review - Friends Who Slay Together, Stay Together
SUMMER OF ‘84 Review - An Intriguing Crime Story That’s a Goonies Adventure and Hardy Boys Mystery
THEY LOOK LIKE PEOPLE Review - Perry Blackshear’s Feature Debut Examines the Fear of Mental Illness
VIRUS :32 Review - Gustavo Hernández Proves the Zombie Genre Still has Compelling Stories to Tell
THE BUNKER GAME Review – A LARP Session in Need of a Better Gamemaster
THE SEED Review – Aliens, Gore and Erotic Horror
[Sundance] SPEAK NO EVIL Review - Christian Tafdrup's Psychological Horror is Unforgiving