EDITORIAL ESSAYS
ALL FEATURES
[Review] KIDS VS ALIENS is Gateway Horror with Enough Gore to Entice Everyone
DARK GLASSES Review – Dario Argento's Interplay Between Good and Evil
DEADSTREAM Review – Content is King and It Can Be Deadly
SCARE PACKAGE II: RAD CHAD'S REVENGE Review – A Satirical Critique and Love Letter to Horror
THE MEDIUM Review – Bone-Chilling and Female-Led Thai Folk Horror
SLAXX Review – Denim Justice Runs Wild
[BHFF] V/H/S/99 Review – It's the End of the 90s Zeitgeist as We Know It
[Interview] A Conversation with WHAT JOSIAH SAW Director Vincent Grashaw
[BHFF] INFLUENCER Review – Kurtis David Harder's Venomous Thriller Knocks Influencers Down a Peg
FLUX GOURMET Review – A Gorgeous Feast of Aesthetic and Sound
OFFSEASON Review – Aquatic Demons, Sinister Townies, and an Island to Remove From Travel Itineraries
SUPERHOST Review – A Host Will Do Anything For A Killer Review
A BANQUET Review – Exploring Intergenerational Matriarchal Trauma Through Mild Body Horror
WHAT JOSIAH SAW Review – Familial Trauma, Long-Kept Secrets, and a Hint of Farmhouse Horror
MOLOCH Review – Nico van den Brink Intimately Weaves Together Fear and Dutch Folklore
Lovecraftian Horror GLORIOUS, Starring Ryan Kwanten Premieres Exclusively on Shudder This Month
Shudder Slates Sundance Midnight Official Selection SPEAK NO EVIL
GOOD MADAM Review – Reclaiming and a Character Driven Exploration of Post-Apartheid South Africa
TENEBRAE Review - Dario Argento's Giallo classic is Grisly and Darkly Humorous
SHE WILL Review – You Can Only Bury Your Trauma for So Long