top of page
![[CFF Review] STAG is a Masterful Exploration of Female Friendship and Betrayal](https://static.wixstatic.com/media/0048f1_fc85e862154a408fb9cce23a6ddf8347~mv2.jpg/v1/fill/w_1872,h_1052,fp_0.50_0.50,q_90,enc_auto/0048f1_fc85e862154a408fb9cce23a6ddf8347~mv2.jpg)
![[CFF Review] THE HAUNTING OF HYPE HOUSE is a Supernatural Social Commentary Struggles to Impress](https://static.wixstatic.com/media/0048f1_e413dcc17d234ad1875cd85950fc49f1~mv2.jpg/v1/fill/w_1667,h_939,fp_0.50_0.50,q_90,enc_auto/0048f1_e413dcc17d234ad1875cd85950fc49f1~mv2.jpg)
![[Review] HUNT CLUB is Feminist Revenge Horror Prevailing Over Society’s Alpha Male](https://static.wixstatic.com/media/0048f1_36563bf26e9541a78e27d5d5734c36ca~mv2.jpg/v1/fill/w_1280,h_719,fp_0.50_0.50,q_90,enc_auto/0048f1_36563bf26e9541a78e27d5d5734c36ca~mv2.jpg)
![[CFF Review] HELL HATH NO FURY is a Murder Comedy of Errors](https://static.wixstatic.com/media/0048f1_78d62b2e4a1840469e69cce35281f915~mv2.jpg/v1/fill/w_1365,h_769,fp_0.50_0.50,q_90,enc_auto/0048f1_78d62b2e4a1840469e69cce35281f915~mv2.jpg)
EDITORIAL ESSAYS
![[Decoding Evil] When Passion Becomes a Prison for THE MENU’s Chef Slowik](https://static.wixstatic.com/media/0048f1_181493a333d043f1a006057ad930b823~mv2.jpg/v1/fill/w_1422,h_801,fp_0.50_0.50,q_90,enc_auto/0048f1_181493a333d043f1a006057ad930b823~mv2.jpg)
![[Interview] CLOCK Editor Alexandra Amick on Telling Female Stories and Maternal Horror](https://static.wixstatic.com/media/0048f1_b8a4199ae7c3469dadb9d4d490999cae~mv2.jpg/v1/fill/w_1500,h_843,fp_0.50_0.50,q_90,enc_auto/0048f1_b8a4199ae7c3469dadb9d4d490999cae~mv2.jpg)
![[Interview] A Conversation with BURY THE BRIDE Actor and Producer Chaz Bono](https://static.wixstatic.com/media/0048f1_16bb79e7b3024f648ce5017ea5dacf09~mv2.png/v1/fill/w_1868,h_1052,fp_0.50_0.50,q_95,enc_auto/0048f1_16bb79e7b3024f648ce5017ea5dacf09~mv2.png)
![[Interview] A Conversation with Bury The Bride Co-Writer and Star, Krsy Fox](https://static.wixstatic.com/media/0048f1_9c3f39e1e6a347519dfdaf1d55b61e86~mv2.jpg/v1/fill/w_910,h_511,fp_0.50_0.50,q_90,enc_auto/0048f1_9c3f39e1e6a347519dfdaf1d55b61e86~mv2.jpg)
![[Interview] A Conversation with Onyx the Fortuitous and the Talisman of Souls Director Andrew Bowser](https://static.wixstatic.com/media/0048f1_058ae323f5e146288d8f493b2672efd5~mv2.jpg/v1/fill/w_1550,h_873,fp_0.50_0.50,q_90,enc_auto/0048f1_058ae323f5e146288d8f493b2672efd5~mv2.jpg)
![[True Horror] The Portrayal of Human Trafficking in EDEN and How We Discuss Victimization](https://static.wixstatic.com/media/0048f1_9854ab031d314d62aaeebfe1fb3a1e80~mv2.jpg/v1/fill/w_1872,h_1052,fp_0.50_0.50,q_90,enc_auto/0048f1_9854ab031d314d62aaeebfe1fb3a1e80~mv2.jpg)
![[Death Creeps] Death’s Blanket and THE BLACKCOAT’S DAUGHTER](https://static.wixstatic.com/media/0048f1_c3a3d7e87ccf43958af87b4cd03d32a3~mv2.jpg/v1/fill/w_1868,h_1052,fp_0.50_0.50,q_90,enc_auto/0048f1_c3a3d7e87ccf43958af87b4cd03d32a3~mv2.jpg)
![[Slay The Date] Bloody Good Characters and The Superior Performances in Bob Clark’s Black Christmas](https://static.wixstatic.com/media/0048f1_7ad4442c793c40f99e7a9bd375f30217~mv2.jpg/v1/fill/w_1280,h_719,fp_0.50_0.50,q_90,enc_auto/0048f1_7ad4442c793c40f99e7a9bd375f30217~mv2.jpg)
![[Decoding Evil] A Study of Michael Myers and the Halloween Film Series](https://static.wixstatic.com/media/0048f1_62d0547edbe14354bbe7783756479351~mv2.jpg/v1/fill/w_1868,h_1052,fp_0.50_0.50,q_90,enc_auto/0048f1_62d0547edbe14354bbe7783756479351~mv2.jpg)
ALL FEATURES
Search
![[Interview] A Conversation with MISSING Director Shinzô Katayama](https://static.wixstatic.com/media/0048f1_0b54556b104c4111a3274f5f8dea6492~mv2.jpg/v1/fill/w_1812,h_1360,fp_0.50_0.50,q_90,enc_auto/0048f1_0b54556b104c4111a3274f5f8dea6492~mv2.jpg)
E. L. King
Dec 2, 2022
[Interview] A Conversation with MISSING Director Shinzô Katayama
E.L. King chats with emerging film director Shinzô Katayama about his commercial feature debut and latest thriller from Dark Star Pictures.
E. L. King
Nov 21, 2022
MISSING Review – An Intense and Emotional Gut-Punching Japanese Crime Thriller
Missing is a captivating and surprising film with hints of neo-noir — it’s a slow burn that subverts audience expectations at every turn.
bottom of page