EDITORIAL ESSAYS
ALL FEATURES
SHE WILL Review – You Can Only Bury Your Trauma for So Long
FEAR STREET: PART THREE - 1666 – The Devil Has Come, and a Curse is Uncovered
[Interview] A Conversation with GOOD MADAM Director Jenna Cato Bass and Co-Writer Babalwa Baartman
[Viva La Horror] The Evolution and Legend of the Immortal Vampire
[CFF 2022] WULVER’S STANE Review - A Bizarre and Beautiful Hunger
[CFF 2022] TENNESSEE AND REGIONAL FILMMAKER SHOWCASE Review - Exceptional Horror and Genre Shorts
[CFF 2022] DANGEROUS VISIONS VOLUME TWO Review - A Horror and Genre Shorts Showcase
[CFF 2022] DANGEROUS VISIONS VOLUME ONE Review - A Horror and Genre Shorts Showcase
[CFF 2022] GUTS Review - A Horror Comedy with Delightful Workplace Gore
[CFF 2022] CRUISE Review - A Deeper Look at the Other End of the Phone Line
[CFF 2022] NIGHT SHIFT Review - Misogyny is Thicker than Wood Pulp
[CFF 2022] MYSTERY SPOT Review - An Eerie Roadside Attraction Brings Strangers and Secrets Together
[CFF 2022] CUBED ROW Review - An Invasion of the Surreal
[CFF 2022] LANDLOCKED Review - VHS Tapes Illustrate a Disillusioning Story
[CFF 2022] SCHOOLHOUSE BLOCK Review - Outstanding Shorts from the Student Film Showcase
[CFF 2022] LIVIN’ AFTER MIDNIGHT Review - An Intriguing Queer Vampire Romance
[CFF 2022] MIKE MIGNOLA: DRAWING MONSTERS Review - A Portrait of One of Comics' Greatest Creatives
[CFF 2022] THE ATTACHMENT DIARIES Review - A Haunting and Disturbing Web of Patriarchal Complexities
[CFF 2022] THE UNSETTLING Review - The Consuming and Haunting Remnants of Trauma
[CFF 2022] EVERY TIME WE MEET FOR ICE CREAM YOUR WHOLE FUCKING FACE EXPLODES Review - Ah, Young Love