EDITORIAL ESSAYS
ALL FEATURES
FLUX GOURMET Review – A Gorgeous Feast of Aesthetic and Sound
[Interview] A Conversation with Elise Finnerty, Director of THE ONES YOU DIDN'T BURN
[Popcorn Frights] DO NOT DISTURB Review – Psychedelics, Love, and Toxic Relationships
[Popcorn Frights] FOLLOW HER Review – Fetishes, Lies and Video Tape
[Popcorn Frights] ALL JACKED UP AND FULL OF WORMS Review – Unlikely Friends Meet a Wormy Demise
[Popcorn Frights] FANGA Review – A Horrifying Tale as Old as Time
[Popcorn Frights] THE EYES BELOW Review – A Stunning Supernatural Study in Shadowplay
BODIES BODIES BODIES Review – A Whodunnit That Slays Murder Mystery Expectations
[Popcorn Frights] PEPPERGRASS Review – A Pandemic Story and an Exercise in Futility
[Popcorn Frights] BAD GIRL BOOGEY Review – Fringe Culture, Mental Health, and Queer Horror
[Popcorn Frights] THE LEECH Review – Disturbing Religious Horror Severely Lacking in Palatability
[Interview] A Conversation with Director Harry Owens and the Cast of THE UNSETTLING
[Popcorn Frights] FINAL SUMMER Review – Camp Horror Returns with a Vengeance
NOPE Review – Aliens and Outrageous Chaos Combine in an Exploration of Comedic Terror
[Popcorn Frights] DISTRESS SIGNALS Review – Wilderness Survival Horror is an Allegory for Depression
[Interview] A Conversation with Composer Kenny Wood – Behind the Music of Dark Comedy GATLOPP
[Popcorn Frights] THEY WAIT IN THE DARK Review – A Sinister Past Refusing to be Forgotten
OFFSEASON Review – Aquatic Demons, Sinister Townies, and an Island to Remove From Travel Itineraries
[Popcorn Frights] COMPULSUS Review – Exploring Vigilante Justice in the #MeToo Era
CRIMSON PEAK Review – Ghosts and Deception Make an Interesting Marriage