EDITORIAL ESSAYS
ALL FEATURES
[Slamdance] THE UNDERBUG Review – A Frighteningly Effective Haunted House Horror
[Interview] A Conversation with THE DEATH OF APRIL Writer and Director Ruben Rodriguez
I Am Hungry for Other People – The Intersection of BONES AND ALL and Borderline Personality Disorder
PEARL Review – An Unsettling Exploration of Sexual Rebellion
[Interview] A Conversation with Onyx the Fortuitous and the Talisman of Souls Director Andrew Bowser
SIGNALIS Review – Classic Survival Horror and Existential Dread
Mythologizing the Final Girl – An Analysis of Sienna and the Hero’s Journey
The Long History of the Ouija Board and its Connection to the Beyond
INVASION OF THE BODY SNATCHERS Review – Wake Up and Take Control
SIGNIFICANT OTHER Review – A Quietly Rousing and Suspenseful Science Fiction Cocktail
[Death Creeps] Death’s Blanket and THE BLACKCOAT’S DAUGHTER
DEADSTREAM Review – Content is King and It Can Be Deadly
6 Horror Films Oozing With 1980s Splatterpunk
LET THE RIGHT ONE IN Review – An Emotional Exploration of Humanity and Monstrosity
How Hitchcock Got Daphne du Maurier’s THE BIRDS Wrong and Why It Matters
FRIEND OF THE WORLD Review – A Strong Debut Feature From Writer and Director Brian Patrick Butler
They’re All Going to Laugh at You – Exploring the Queer and Trans Lens of CARRIE
PROMISING YOUNG WOMAN Review – A Revenge Thriller That Ultimately Dissatisfies
WHAT MOVES THE DEAD Review – Witty, Modern, and Ready to Make a Statement
BROOD X Review – Cicada Season Isn’t What it Seems