EDITORIAL ESSAYS
ALL FEATURES
[CFF 2022] GATEWAY Review - A Drug Dealer is Haunted by the Past in Niall Owens’ Debut Feature
[CFF 2022] PUSSYCAKE Review - Blood and Guts Meet Girl Power in Pablo Parés’ Queer Horror Feature
[CFF 2022] CRYO Review - An Unsettling Experiment in Human Psychology
[CFF 2022] THE BLOOD OF THE DINOSAURS - Uncle Bobbo and the Tragic Origin of Fossil Fuels
[Tribeca Festival] NEXT EXIT Review - A Hauntingly Beautiful Exploration of Life and Death
[Tribeca Festival] ATTACHMENT Review – A Love Story Steeped in Jewish Folklore
[Tribeca Festival] CALL ME CRAZY Review - A Showcase for Outstanding Genre Shorts
[CFF 2022] THE ONES YOU DIDN’T BURN Review – A Quiet Farm Has Secrets Just Below the Soil
[Interview] A Conversation with GIRLS NIGHT IN Star Skylar Benton at Tribeca Festival
Shudder Original WHO INVITED THEM Acquired Following its Premiere at Overlook Film Festival
REVEALER Review – Grab Your Bible and Your G-String, the Apocalypse Unites Unlikely Bedfellows
THE REYES INCIDENT Review - Queer Horror with Killer Mermaids and Small Town Mysteries
[Tribeca Festival] FAMILY DINNER Review - Dieting Becomes a Grim Endurance Test
[Tribeca Festival] THE BLACK PHONE Review - An Emotionally Rewarding Supernatural Horror Experience
[Review] THE PRIVILEGE - An Uneven Supernatural Thriller
[Tribeca Festival] CRIMSON TIES Review - Another Slumber Party Massacre Rears Its Ugly Head
[Tribeca Festival] HUESERA Review - A Supernatural Journey to Self Discovery
Shudder Releases Trailer for Haunting South African Psychological Horror GOOD MADAM
[Tribeca Festival] A WOUNDED FAWN Review - Mythological Surrealism Unsatisfyingly Meets “Me Too”
PLAYDURIZM Review - A Beautiful and Disturbing Exploration of Escapism