Enveloped in a hot pink fever dream, Geena Hernandez's short Chicks is a provocative exploration of freedom, femininity, and empowerment.

Like a custom-built chainsaw gauntlet, the best word to describe Evil Dead Rise is “Groovy.”

Dani Shembesh interviews Chaz Bono to discuss his career and his complex character in Bury The Bride.

The film reflects an uncomfortable uncertainty: are we ever truly alone, and would we ever know otherwise?

While its story isn’t unique, Laced is well executed — saved by impeccable performances, direction, and visually rousing cinematography.

It's funny, self-aware, and full of fun nods to horror genre trends — historical and contemporary, both factual and fabricated.

Defiant and intense, Black Dragon's forceful, unflinching look into the morality (or lack thereof) of war is divisive and electric.

Sci-Fi Horror short, The Fore-Men, delivers a viciously lonely view of what the world might be like if humans were at their worst.

Trim Season is an abundantly entertaining horror film. Vida plays on familiar Folk Horror tropes while remaining fresh in her execution.

Bury The Bride's well-balanced pacing, intriguing narrative, surprises, and well-built tension, create a film that thrills.

E.L. King (Slay Away) interviews co-writer of Bury The Bride, Krsy Fox at Panic Fest 2023.

Dark Glasses is low on scares, high on quality direction, and marks another small step forward for the portrayal of women in horror.

Standing out as a unique oddity in 80s horror history, Brain Damage is seedy, perverse, and undeniably queer in both senses of the word.

Despite a promising plot and suitable cinematography, Alive's failure rests on a lack of execution, emotion, and inexcusable neglect.

Examining Chef Slowik as a tragic villain with a god complex and exploring the dangers of his passion for cooking becoming his prison.

Grace Britten explores the deeply potent narrative of All Cheerleaders Die that permeates the borders of the fetishized cheerleader.

With its excellent cast and impeccable direction, McColm delivers a film worth remembering in Fuzzy Head.

Scream VI acknowledges and honors its predecessors while cementing itself as a fresh and self-sustaining film.

Brandon Cronenberg's Infinity Pool is a critique of the lack of consequences for the atrocities of the wealthy whose criticism feels hollow.

Bess Wohl's directorial debut, Baby Ruby is an incredibly fearsome, painful, and unnerving thriller.