[Overlook Film Festival] THE SUMMONED Review - Succumb to Your Sins

[Overlook Film Festival] GONE IN THE NIGHT Review - Youth is Wasted on the Young

[Interview] A Conversation with Emily De Margheriti About Her New Horror Film SISSY

[PANIC FEST] THE PASSENGER Review - A Story of Survival and Familial Bonds

[PANIC FEST] THE CHAMBER OF TERROR Review - A Light-Hearted and Absurd Revenge Horror Comedy

[Panic Fest] WHEN THE SCREAMING STARTS Review - A Gruesome and Delightful Mockumentary

[PANIC FEST] PRESENCE Review - Schultz Delivers a Dark and Terrifying Descent into Madness

[PANIC FEST] TO THE MOON Review - A Dissection of Family Trauma With Thought-Provoking Dialogue

[PANIC FEST] THE CREEPING Review - Jamie Hooper’s Haunted Feature Debut of Foreboding Family Secrets

[PANIC FEST] MALIBU HORROR STORY Review - Found Footage and a Paranormal Terror-Filled Adventure

[PANIC FEST] THE OUTWATERS Review – A Masterful Found Footage Death Dream

[PANIC FEST] BITCH ASS Review - Revenge, Deadly Board Games and Original Storytelling

[Grimmfest Easter] GHOSTS OF THE OZARKS Review – A Grab Bag of Unintended Comedic Distractions

[Grimmfest Easter] WOODLAND GREY Review – Adam Reider Forces Us to Face Grief and Regret

[Grimmfest Easter] CROSS THE LINE Review – David Victori Delivers a Nightmarish Adventure

[Grimmfest Easter] A PURE PLACE Review – Nikias Chryssos Cult Horror Envisions a Purer World

[Grimmfest Easter] EGO Review – A Queer Horror Film Exploring Isolation and Identity

[Grimmfest Easter] THE FAMILY Review – A Brooding Folk Horror Tale Where Fear is Familial

[Grimmfest Easter] BRING OUT THE FEAR Review – Isolation Brings Out the Worst in People

[Grimmfest Easter] THE WOMAN WITH LEOPARD SHOES Review – A Clever Microbudget Noir