EDITORIAL ESSAYS
ALL FEATURES
[Popcorn Frights] PEPPERGRASS Review – A Pandemic Story and an Exercise in Futility
[Popcorn Frights] BAD GIRL BOOGEY Review – Fringe Culture, Mental Health, and Queer Horror
[Popcorn Frights] THE LEECH Review – Disturbing Religious Horror Severely Lacking in Palatability
[Popcorn Frights] FINAL SUMMER Review – Camp Horror Returns with a Vengeance
[Popcorn Frights] DISTRESS SIGNALS Review – Wilderness Survival Horror is an Allegory for Depression
[Popcorn Frights] THEY WAIT IN THE DARK Review – A Sinister Past Refusing to be Forgotten
[Popcorn Frights] COMPULSUS Review – Exploring Vigilante Justice in the #MeToo Era
[CFF 2022] WULVER’S STANE Review - A Bizarre and Beautiful Hunger
[CFF 2022] TENNESSEE AND REGIONAL FILMMAKER SHOWCASE Review - Exceptional Horror and Genre Shorts
[CFF 2022] DANGEROUS VISIONS VOLUME TWO Review - A Horror and Genre Shorts Showcase
[CFF 2022] DANGEROUS VISIONS VOLUME ONE Review - A Horror and Genre Shorts Showcase
[CFF 2022] GUTS Review - A Horror Comedy with Delightful Workplace Gore
[CFF 2022] CRUISE Review - A Deeper Look at the Other End of the Phone Line
[CFF 2022] NIGHT SHIFT Review - Misogyny is Thicker than Wood Pulp
[CFF 2022] MYSTERY SPOT Review - An Eerie Roadside Attraction Brings Strangers and Secrets Together
[CFF 2022] CUBED ROW Review - An Invasion of the Surreal
[CFF 2022] LANDLOCKED Review - VHS Tapes Illustrate a Disillusioning Story
[CFF 2022] SCHOOLHOUSE BLOCK Review - Outstanding Shorts from the Student Film Showcase
[CFF 2022] LIVIN’ AFTER MIDNIGHT Review - An Intriguing Queer Vampire Romance
[CFF 2022] MIKE MIGNOLA: DRAWING MONSTERS Review - A Portrait of One of Comics' Greatest Creatives